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・ Artistic gymnastics at the 2013 Mediterranean Games – Women's balance beam
・ Artistic gymnastics at the 2013 Mediterranean Games – Women's individual all-around
・ Artistic gymnastics at the 2013 Mediterranean Games – Women's qualification
・ Artistic gymnastics at the 2013 Mediterranean Games – Women's vault
・ Artistic gymnastics at the Summer Olympics
・ Artistic Gymnastics Federation of Russia
・ Artistic gymnastics in the United States
・ Artistic Gymnastics World Cup
・ Artistic Gymnastics World Cup – Women's balance beam
・ Artistic Gymnastics World Cup – Women's floor
・ Artistic Gymnastics World Cup – Women's individual all-around
・ Artistic Gymnastics World Cup – Women's uneven bars
・ Artistic Gymnastics World Cup – Women's vault
・ Artistic Infusion Program
・ Artistic inspiration
Artistic Japan
・ Artistic language
・ Artistic License
・ Artistic license
・ Artistic Media Partners
・ Artistic merit
・ Artistic patrimony of Madrid Community
・ Artistic patronage of the Neapolitan Angevin dynasty
・ Artistic program of the Olympic opening ceremonies
・ Artistic reactions to the 1981 Irish hunger strike
・ Artistic rendering
・ Artistic revolution
・ Artistic roller skating
・ Artistic roller skating at the 2010 Asian Games – Men's free
・ Artistic roller skating at the 2010 Asian Games – Pairs


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Artistic Japan : ウィキペディア英語版
Artistic Japan

''Artistic Japan'' (French: ''Le Japon artistique: documents d'art et d'industrie'') was a 19th-century Paris-based magazine dedicated to Japanese art, published by German-born French art dealer Siegfried Bing. It ran for thirty-six monthly issues from 1888 to 1891 in French, English, and German editions and contributed to a revival of Japonism.
==Background==
Art critics and collectors in Europe spearheaded a craze for Japanese art in the late 19th century; prominent promoters of this Japonism included Edmond de Goncourt (1822–96), Philippe Burty (1830–90), and Siegfried Bing (1838–1905). Burty made an attempt at a magazine devoted to Japanese art that lasted a single issue.
The wealthy collector and dealer Bing had placed himself at the centre of Japanese art circles in Paris; where he had relocated from Hamburg in Germany to take over a branch of the family business dealing in imports of French porcelain. In the late 1870s he opened a shop selling Japanese art objects and travelled to the Far East to study art in 1880. He developed connections with art sources in Japan and amassed what was considered one of the finest Japanese art collections in the West. He desired to spread word of Japanese aesthetics to a broad public, and used his wealth and connections to populate a new magazine to this end.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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